In a summer evening, his mind perhaps not freer but more relaxed than usual, I found myself in the penultimate row of a makeshift open-air cinema, actually a car in the company of elderly couples who have waited for some cool slow to advance beyond their doors, whereas traits relaxed and seraphic smiles on his face.
I have been there awhile case, a little bit to nostalgia del Cinema d'Essai that is here in the winter (they are the same people who organize it), a po'perché'm back from vacation by two days and I found a completely deserted and the whole country, the environment, people, the starry sky can be seen from the roofs, the film, were among the pleasant and unpleasant had a sweet taste unusual.
He was easy to pick up in less than 30 nanoseconds I was the youngest of the sitting, and although it is normal, I do not know why I continue to amaze me.
But the point is the film Tulpan , the girl who was not there Sergei Dvortsevoy.
The story itself has nothing exciting, but it was strange, in that context, to perceive the message sent, it was dissonant, trivial on the surface but a little scary at the bottom.
speaks of a young Kazakh who, after serving in the Navy, he returned in the dryness and steppe, to begin a life of its independent, it needs a flock, but first and foremost a wife. The only
can not be allowed.
on these open spaces and magnificent gravity cage so heavy and thick, not to let the air. The network of events, the nature and nomadic life to keep imprisoned gioventu'come old age in a circle forever without escape.
The possibility of change, an 'evolution have probably never goes out without burning, as if hovering sense of death is held in a terrible beauty.
The message of the film, at least what I received, it is precisely the opposite of what I try to see into the future. It is the possibility
of change that sets us free to act, but the terrible thing is that within some cages do not perceive that there is a check, you do not hear, we are not objective if involved. But what we
in a cage? Neither
a movie, or a public or a heaven to me will never say.
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